It reminded Derksen of the ideas of French sociologist Jean Baudrillard, who he met at Holland Festival, where they both exhibited photographs in 1999. Baudrillard's cult 1981 book Simulacra and Simulations (which enjoys a cameo in The Matrix) describes images as representations with no foothold in reality, and that they often distract from it. “It is dangerous to unmask images,” Baudrillard writes, “since they dissimulate the fact that there is nothing behind them.”That quote opens Derksen’s book, and he takes it as a personal challenge. While traveling through 50 cities across Africa, Asia, Europe, and the US, Derksen plunked his full-frame camera before walls and fences dressed up with fashion models, urban development schemes, and tourist destinations. But his focus wasn’t so much the giant idealized imagery as the local context—a ladder propped on a wall, a worker passing by, an ugly graffiti scrawl.
It exposes the ads for what they really are: a veneer overlaying the real world and masking its social, political, and economic problems. “It’s covering up,” Derksen says. "You can cover up ugly urban places, your values, anything.”Disneyfication is out now from Dewi Lewis.
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