For the most part, it’s felt like things have been put in their right place (Small Axe is definitely a series of films, and Falcon is certainly a TV show), but the Snyder cut is the first to feel like it could go either way.

Some version survived on the filmmaker's laptop, and a fully reborn, four-hour-long iteration dropped yesterday on HBO Max. Justice League Is a Beautiful Mess of a Franken-Movie.

Billion Dollar Loser mentions that Neumann is dyslexic; in the documentary you can instantly see his frustration with the teleprompter.The documentary draws on testimonials from many former WeWorkers, who explain the attraction to the company, and to Neumann.

Today, though, unveiled a new service: Camera to Cloud, which allows multiple people to start working on a shot the second the director films it, greatly reducing the number of people on set and increasing the number who can contribute from a safe, socially (very) distant place.

So far, the movies that have come out of lockdown—either those inspired by the pandemic or filmed under its restrictive conditions (or both)—have been, shall we say, uneven.

Released in 2014, it’s about vision scientists searching for the origin of the human eye—look, a pun—which, if you didn’t know, is “the window,” as one character literally says, “to the soul.” They find it in the genes of a sightless worm, but not before Karen, played by Brit Marling, warns her lab partner that she, at least, has no interest in getting famous, in being seen: “Recognition makes me nauseous,” she says.

Late last year, during the Fox broadcast of a matchup between the Seattle Seahawks and the Washington Football Team, fans were treated to shots of end zone celebrations that felt ethereal, almost dreamlike.

“We came up with the technique by analyzing the sound spectrum of old-fashioned movies,” Klyce says, “and of course Citizen Kane was one that we modeled, and we kind of realized that that film sounded the way it did because of the limitations of the technology.”.

But his debut film, Fake Famous (on HBO, starting February 2), brings slightly more apprehension—specifically to Instagram, the photo darling of social media.

The gag was good; he was basically a floating head on the body of Margot Robbie recreating the scene in Adam McKay’s 2015 film The Big Short where the actress describes mortgage bonds and how to “short” them.

Last year, we rounded up the best nature documentaries for you to binge-watch during lockdown .Hindus, Muslims, Catholics, and followers of indigenous religions all worship differently, but they’re united in their desire to protect the natural world.

The title will be developed by Ubisoft’s Massive Entertainment, marking the first time that a company outside of EA has produced a Star Wars game since Disney acquired Lucasfilm in 2012, ending nearly eight years of exclusivity.

It's a flawed yet thought-provoking, surreal science-fiction film, chock-full of big ideas on our relationship to technology and what it means to be human, all beautifully anchored by D'Arcy's fantastic performance.

Back in January, the filmmaker got married on the opening day of the Sundance Film Festival , where she headed the documentary program for six years.Jackson watched as other festivals in Toronto and New York went (mostly) online and tried to reengineer what Sundance would look like in a pandemic.

While The Assistant received great reviews nearly across the board, the film didn’t get much of a theatrical release (and made just $1 million).While Annihilation was fairly well received by critics, it was pretty polarizing among audiences, and it’s almost easy to see why.

Hollywood had already learned, thanks to Wonder Woman and Captain Marvel, that movies fronted by women could make money (duh), and in 2019 some 43 percent of the top-grossing films featured a female lead or co-lead, according to a report from the USC Annenberg Inclusion Initiative.

As Kim Masters of The Hollywood Reporter noted, “[Warner] is pretending that pirates won’t pounce as soon as these films are streaming on HBO Max,” but pounce, they certainly will.But next year, when all 17 new Warner films premiere on HBO Max, pirates will immediately have perfect copies to share.

Now, with theater attendance plummeting as Americans quarantine, services like Disney+, Peacock, and HBO Max allow their corporate owners to test whether going straight to consumers with major movie releases the same day they hit the big screen is a viable option.

Now, in place of the 1-hour-photo booths, there are endless online printing services, most of which produce far better results than the kiosks ever did.The best quality prints in my testing came from Adorama's Printique service, formerly called Adoramapix.

Based on his tweet, it seems like Slater hasn’t forgotten what became of his script, and on Tuesday night, he blessedly made himself the butt of his own joke in an attempt to bring some levity to the debate.

The film begins with an offscreen producer asking technologists what, exactly, is wrong with social media.

The film doesn’t have footage of Laika suffering in space (thank God) but it does have plenty of clips of scientists putting Laika and a few other research dogs through a barrage of exercises—they spin in a centrifuge, dazed—and subjecting them to invasive, gruesome surgeries in order to rig them up with the necessary sensors to see how long they’d last alone above the planet’s atmosphere.

This, again, seems like it might not be a Nolan film, but it actually bears his hallmarks: thickly plotted yet easy to follow, deep until you think too much about it.

(“What’s the point of doing anything if no one’s watching?” Suzanne wonders—a point Kurt echoes repeatedly on his spree.)Like Suzanne, Kurt sees violence as a means to an end, and cannot fathom the purpose of life without an audience.

On April 14, 1906, the Miles brothers left their studio on San Francisco’s Market Street, boarded a cable car, and began filming what would become an iconic short movie.

The studio previously planned for an August 12 release date, but that seemed increasingly likely to expose American moviegoers to the coronavirus—hence Rogen's quip about Nolan and his fans.

While Netflix makes no mention of it whatsoever, The Hater is actually a sequel to Komasa’s 2011 movie, The Suicide Room, which is about a teenager whose life becomes a catastrophe after a video of him kissing another boy on a dare gets circulated online.

From the fanciest mansion to the dingiest studio apartment, when you step foot inside, there’s no hiding the fact that it’s a rental, not a home.Josh and Charlie are brothers, as it turns out, so it’s not such a hard sell.

If Citizen has to grow before it can make money, then it has to entice people to use the app in the first place.But to show what the app is really capable of, it needs the participation and content provided by its users.To grow, Citizen needs videos.

Credit for the movie’s surprises—it’s inclusivity, it’s thoughtfulness, it’s diversity—goes in large part to two people: Greg Rucka, who wrote the original comic The Old Guard, and to Gina Prince-Bythewood, who directed the Netflix adaptation.